• The Green Drift for The BOOKS Review of Books
• Deanna Dikeman - Leaving and Waving for Paper Journal
• Letter from Lockdown
• New Year 2021
• C. Fausto Cabrera & Alec Soth – The Parameters of Our Cage for Paper Journal
• Handing it Down: Colm Tóibín and Colin Barrett for Port Magazine
• From Telex to hypertext
• The untold stories of Britain's Polish community: Polska Britannica for Huck Magazine
• Letter from Isolation
• The agony & ecstasy of being a football fan, in photos: Can't smile without you for Huck Magazine
• Photographer Patrick Bienert's Powerful Portrait of a Changing Georgia for Another Man
• Celebrating Queer Black Photography Pioneer, Rotimi Fani-Kayode for Another Man
• Capturing a 'Brotherhood' of Local Boys in Australia's Northern Rivers for Another Man
• Letter from Bologna
• The collective that changed Preston's cultural scene: Northern paradise for Huck Magazine
• New Year 2020
• Inside the Archive of Often Overlooked Street Photographer Shirley Baker for AnOther Magazine
• A Photographic Study of Dubai and Its People for Another Man
• Lisa Barnard - The Canary and the Hammer for Paper Journal
• Interview - Dafna Talmor for Paper Journal
• Photographs Documenting a Different Side of 1970s New York City for AnOther Magazine
• Riding for Deliveroo: How to resist in the gig economy for Huck Magazine
• A Tender Portrait of Masculinity Among Britain’s Chinese Students for Another Man
• Unravelling one of Iceland's biggest murder mysteries: Sugar paper theories for Huck Magazine
• The story behind London's most radical design studio: Inside the Paddington Printshop for Huck Magazine
• Interview – Sean Alexander Geraghty for Paper Journal
• Heather Glazzard - Queer Letters for Paper Journal
• A treasure trove of amateur gig posters from the '90s: To Evelyn for Huck Magazine
• The Distracted City for Sweet Debris
• Coming of age on the British coast: Sun, sex and scraps for Huck Magazine
• Ten Photographers to Have on Your Radar in 2019 for AnOther Magazine
• A Captivating New Photobook from One of Britain's Brightest Photographers for AnOther Magazine
• "Ugly Design" + Imposter Syndrome as an Illustrated Coping Strategy for AIGA Eye on Design
• The style & grace of London's white garment churches for Huck Magazine
• Talia Chetrit – Showcaller for Paper Journal
• Alessio Bolzoni – Abuse II: The Uncanny for Paper Journal
• The Redundant Disc Format You've Never Heard Is Your New Graphic Design Inspiration for AIGA Eye on Design
• Diane Arbus: In The Beginning for Port Magazine
• Beautiful Photographs by One of the Bauhaus' Unsung Female Artists for AnOther
• The Photographer Subverting the Idea of the American WASP for AnOther
• Don McCullin at Tate Britain for Port Magazine
• Bedroom shots: Alec Soth on the intimacy of personal space for Huck Magazine
• New Year 2019
• Bastard Countryside: Dystopian shots of Britain's rural edgelands for Huck Magazine
• The Garden of Forking Paths for The Plant
• A Tale of Two Islands for Above Sea Level
• Happiness in Magazines – The Stack Awards 2018 for The Double Negative
• Face In The Crowd: vintage shots of British football fans for Huck Magazine
• Joshua Lutz: Mind the Gap for Paper Journal
• It was a stab in the dark - Bound Art Book Fair for The Double Negative
• Richard Mosse: The Castle for Tank Magazine
• Paloma Proudfoot: The Detachable Head Serves As A Cup for Tank Magazine
• Oksun Kim: Jeju Island for AnOther
• The Darkroom is a Sacred Space: Phoebe Kiely for The Double Negative
• Fine art in hard and soft covers for Eye Magazine
• ✓✓ Read Receipts: Sea, marsh, edgelands
• ✓✓ Read Receipts: Into the water
• Luigi Ghirri: The Map and the Territory for Paper Journal
• The White Review: Issue 22
• The presence and absence of Lee Miller for Tank Magazine
• Hayahisa Tomiyasu: TTP for Paper Journal
• ✓✓ Read Receipts: Pork fat, triple cream, distended livers
• Faye Wei Wei at the CFCCA for ArtAsiaPacific
• ✓✓ Read Receipts: Mortality is a bad contract
• Introducing: Rare Mags, Stockport for The Double Negative
• ✓✓ Read Receipts: No news is bad news
• Scrapbook: Robyn Daly, Mona Lisa on my Desk, 2018
• Belonging in the World of Bunny Rogers for Elephant
• ✓✓ Read Receipts: The Health of the Internet
• Aeration, transplantation, propagation: The Plant Issue 12
• The Magnetic Chain for Tank Magazine
• Sun, Sea, Algae for The Plant
• Condoms, Wet Wipes, Nappies, Tampons: Fatberg! for Somesuch Stories
• Pyramid schemes at The Royal Standard
• He clearly won't feel the benefit when he goes out later for Viz
• Edouard Malingue and Mother's Tankstation at Condo London 2018 for ArtAsiaPacific
• Ten thousand Polaroids, three thousand found, two hundred exhibited: Wim Wenders at The Photographers' Gallery
• Offcut, the Edge for Tank Magazine
• Space For Living: SPACE Copenhagen for Port Magazine
• New Year 2018
• Kvadrat: A Design Family for Port Magazine
• Anywhere but here: rediscovering the films of Aki Kaurismäki for Tank Magazine
• Thomas Ruff Is Not A Photographer
• The Modern Magazine 2017 for The magCulture Journal
• ✓✓ Read Receipts: Independent Publishers
• Varvara Stepanova, the pioneer who brought constructivist design to proletarian life for It's Nice That
• John Akomfrah for Tank Magazine
• Invisible Art Fairs
• Gardens and Gatekeepers: Marcel Broodthaers’s inclusive installations for Tank Magazine
• The Constructivist for Port Magazine
• Good Times: How disco films captured a society in flux for Tank Magazine
• Forensic Architecture for Tank Magazine
• Charlie Godet Thomas for The London Magazine
• ✓✓ Read Receipts: We will all go together when we go
• ✓✓ Read Receipts: Block out the Sun
• ✓✓ Read Receipts: Not Writing
• ✓✓ Read Receipts: Silence is Golden
• Jaakko Pallasvuo's Easy Rider Explores Supernatural Solutions to Real-World Problems for AIGA Eye on Design
• ✓✓ Read Receipts: Refugee, Migrant, Asylum Seeker
• Sun, Sea, Algae for The Plant
• In Profile: Daniel Castro Garcia for Frieze
• "Torn between the recent past and the future…" Photo London — Reviewed for The Double Negative
• An interview with Kodoji Press for Paper Journal
• ✓✓ Read Receipts: The task of the translator
• "They seem to fight to stop each other breathing": Evangelia Kolyra’s 10,000 Litres — Reviewed for The Double Negative
• ✓✓ Read Receipts: The indignity of labour
• "The privilege of being an artist is the ability to answer back": Art and Protest at Frieze Academy for The Double Negative
• ✓✓ Read Receipts: Endless war art
• "Calle condenses the entirety of her intriguing life down to a pack of cards": Deutsche Börse Photography Prize — Reviewed for The Double Negative
• But the game is up! We must all die: Ben Rivers, Urth
• ✓✓ Read Receipts: Simple gluttony
• They lived in squares, painted in circles and loved in triangles: Vanessa Bell & Sussex Modernism
• ✓✓ Read Receipts: Ugliness and Judgement
• "Tillmans demonstrates that photography is still free to shape the world": Wolfgang Tillmans — Reviewed for The Double Negative
• Read Receipts: Animals and the City
• ✓✓ Read Receipts: The act of writing
• And a drowning was not over in a single morning: Brecht, The Swamp
• ✓✓ Read Receipts: Cold and melancholia
• "There is a thirst for something new, something authentic" — North: Identity, Photography, Fashion for The Double Negative
• ✓✓ Read Receipts: The death of John Berger
• I Hope You Consider What I Arrange, But Be Sceptical of It: John Berger
• Reframe, Rehang, Reassess
• Cheng Xinhao: The Naming of a River
• Mould Map 6: TERRAFORMERS at Bonington Gallery for The Double Negative
• Dinh Q. Lê at 133 Rye Lane, London for The Double Negative
• Hop Picking in Kent with Kathrin Böhm
• Ian Simpson: or How I Learned to Stop Worrying and Love the Bomb
• Ben Rivers at the Whitworth Art Gallery, Manchester for The Double Negative
• Saul Leiter at The Photographers' Gallery, London
• Flat Death: Edgar Martins and Jordan Baseman at Open Eye Gallery
• New Year 2016