Jacob Charles Wilson

Articles

• 2020

  • The collective that changed Preston's cultural scene: Northern paradise for Huck Magazine

• 2019

  • Inside the Archive of Often Overlooked Street Photographer Shirley Baker for AnOther Magazine
  • A Photographic Study of Dubai and Its People for Another Man
  • Lisa Barnard - The Canary and the Hammer for Paper Journal
  • Interview - Dafna Talmor for Paper Journal
  • Photographs Documenting a Different Side of 1970s New York City for AnOther Magazine
  • Riding for Deliveroo: How to resist in the gig economy for Huck Magazine
  • A Tender Portrait of Masculinity Among Britain’s Chinese Students for Another Man
  • Unravelling one of Iceland’s biggest murder mysteries: Sugar paper theories for Huck Magazine
  • The story behind London's most radical design studio: Inside the Paddington Printshop for Huck Magazine
  • Interview – Sean Alexander Geraghty for Paper Journal
  • Heather Glazzard - Queer Letters for Paper Journal
  • A treasure trove of amateur gig posters from the '90s: To Evelyn for Huck Magazine
  • The Distracted City for Sweet Debris
  • Coming of age on the British coast: Sun, sex and scraps for Huck Magazine
  • Ten Photographers to Have on Your Radar in 2019 for AnOther Magazine
  • A Captivating New Photobook from One of Britain's Brightest Photographers for AnOther Magazine
  • "Ugly Design" + Imposter Syndrome as an Illustrated Coping Strategy for AIGA Eye on Design
  • The style & grace of London's white garment churches for Huck Magazine
  • Talia Chetrit – Showcaller for Paper Journal
  • Alessio Bolzoni – Abuse II: The Uncanny for Paper Journal
  • The Redundant Disc Format You've Never Heard Is Your New Graphic Design Inspiration for AIGA Eye on Design
  • Diane Arbus: In The Beginning for Port Magazine
  • Beautiful Photographs by One of the Bauhaus' Unsung Female Artists for AnOther
  • The Photographer Subverting the Idea of the American WASP for AnOther
  • Don McCullin at Tate Britain for Port Magazine
  • Bedroom shots: Alec Soth on the intimacy of personal space for Huck Magazine
  • New Year 2019

• 2018

  • Evy Jokhova, Weighed down by stones for This is Tomorrow
  • Bastard Countryside: Dystopian shots of Britain's rural edgelands for Huck Magazine
  • The Garden of Forking Paths for The Plant
  • A Tale of Two Islands for Above Sea Level
  • Happiness in Magazines – The Stack Awards 2018 for The Double Negative
  • Face In The Crowd: vintage shots of British football fans for Huck Magazine
  • Et tu, Brutalism for Port Magazine
  • Joshua Lutz: Mind the Gap for Paper Journal
  • It was a stab in the dark - Bound Art Book Fair for The Double Negative
  • Richard Mosse: The Castle for Tank Magazine
  • Paloma Proudfoot: The Detachable Head Serves As A Cup for Tank Magazine
  • Oksun Kim: Jeju Island for AnOther
  • The Darkroom is a Sacred Space: Phoebe Kiely for The Double Negative
  • Fine art in hard and soft covers for Eye Magazine
  • ✓✓ Read Receipts: Sea, marsh, edgelands
  • ✓✓ Read Receipts: Into the water
  • Luigi Ghirri: The Map and the Territory for Paper Journal
  • The White Review: Issue 22
  • The presence and absence of Lee Miller for Tank Magazine
  • Hayahisa Tomiyasu: TTP for Paper Journal
  • ✓✓ Read Receipts: Pork fat, triple cream, distended livers
  • Faye Wei Wei at the CFCCA for ArtAsiaPacific
  • ✓✓ Read Receipts: Mortality is a bad contract
  • Introducing: Rare Mags, Stockport for The Double Negative
  • ✓✓ Read Receipts: No news is bad news
  • Scrapbook: Robyn Daly, Mona Lisa on my Desk, 2018
  • Belonging in the World of Bunny Rogers for Elephant
  • ✓✓ Read Receipts: The Health of the Internet
  • Aeration, transplantation, propagation: The Plant Issue 12
  • The Magnetic Chain for Tank Magazine
  • Sun, Sea, Algae for The Plant
  • Condoms, Wet Wipes, Nappies, Tampons: Fatberg! for Somesuch Stories
  • Pyramid schemes at The Royal Standard
  • He clearly won't feel the benefit when he goes out later for Viz
  • Edouard Malingue and Mother's Tankstation at Condo London 2018 for ArtAsiaPacific
  • Ten thousand Polaroids, three thousand found, two hundred exhibited: Wim Wenders at The Photographers' Gallery
  • Offcut, the Edge for Tank Magazine
  • Space For Living: SPACE Copenhagen for Port Magazine
  • New Year 2018

• 2017

  • Kvadrat: A Design Family for Port Magazine
  • Anywhere but here: rediscovering the films of Aki Kaurismäki for Tank Magazine
  • Thomas Ruff Is Not A Photographer
  • The Modern Magazine 2017 for The magCulture Journal
  • ✓✓ Read Receipts: Independent Publishers
  • Varvara Stepanova, the pioneer who brought constructivist design to proletarian life for It's Nice That
  • John Akomfrah for Tank Magazine
  • Invisible Art Fairs
  • Gardens and Gatekeepers: Marcel Broodthaers’s inclusive installations for Tank Magazine
  • The Constructivist for Port Magazine
  • Good Times: How disco films captured a society in flux for Tank Magazine
  • Forensic Architecture for Tank Magazine
  • Charlie Godet Thomas for The London Magazine
  • ✓✓ Read Receipts: We will all go together when we go
  • ✓✓ Read Receipts: Block out the Sun
  • ✓✓ Read Receipts: Not Writing
  • ✓✓ Read Receipts: Silence is Golden
  • Jaakko Pallasvuo's Easy Rider Explores Supernatural Solutions to Real-World Problems for AIGA Eye on Design
  • ✓✓ Read Receipts: Refugee, Migrant, Asylum Seeker
  • Sun, Sea, Algae for The Plant
  • In Profile: Daniel Castro Garcia for Frieze
  • "Torn between the recent past and the future…" Photo London — Reviewed for The Double Negative
  • An interview with Kodoji Press for Paper Journal
  • ✓✓ Read Receipts: The task of the translator
  • "They seem to fight to stop each other breathing": Evangelia Kolyra’s 10,000 Litres — Reviewed for The Double Negative
  • ✓✓ Read Receipts: The indignity of labour
  • "The privilege of being an artist is the ability to answer back": Art and Protest at Frieze Academy for The Double Negative
  • ✓✓ Read Receipts: Endless war art
  • "Calle condenses the entirety of her intriguing life down to a pack of cards": Deutsche Börse Photography Prize — Reviewed for The Double Negative
  • But the game is up! We must all die: Ben Rivers, Urth
  • ✓✓ Read Receipts: Simple gluttony
  • They lived in squares, painted in circles and loved in triangles: Vanessa Bell & Sussex Modernism
  • ✓✓ Read Receipts: Ugliness and Judgement
  • "Tillmans demonstrates that photography is still free to shape the world": Wolfgang Tillmans — Reviewed for The Double Negative
  • Read Receipts: Animals and the City
  • ✓✓ Read Receipts: The act of writing
  • And a drowning was not over in a single morning: Brecht, The Swamp
  • ✓✓ Read Receipts: Cold and melancholia
  • "There is a thirst for something new, something authentic" — North: Identity, Photography, Fashion for The Double Negative
  • ✓✓ Read Receipts: The death of John Berger
  • I Hope You Consider What I Arrange, But Be Sceptical of It: John Berger

• 2016

  • Weekly Reader → ✓✓ Read Receipts
  • Reframe, Rehang, Reassess
  • Cheng Xinhao: The Naming of a River
  • Mould Map 6: TERRAFORMERS at Bonington Gallery for The Double Negative
  • Dinh Q. Lê at 133 Rye Lane, London for The Double Negative
  • Hop Picking in Kent with Kathrin Böhm
  • Ian Simpson: or How I Learned to Stop Worrying and Love the Bomb
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  • Ben Rivers at the Whitworth Art Gallery, Manchester for The Double Negative
  • Saul Leiter at The Photographers' Gallery, London
  • Flat Death: Edgar Martins and Jordan Baseman at Open Eye Gallery
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  • New Year 2016

• 2015

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• 2013

  • Tom Edwards, The Procession to Caute at Beach London

• 2012

  • Dieter Roth at The Fruitmarket Gallery, Edinburgh